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A floor lamp in coated metal with a cast iron base, Treetops was designed by Ettore Sottsass in 1981. The lamp is made in colored metal, with a halogen bulb at the end, for adjustable lighting.

A low serving table created in 1983 by Shiro Kuramata, Nara's structure is ironically contrasted by the texture of colored patches typical of terrazzo, a composite of cement and colored glass chose

Created by Sottsass in 1981 Tahiti immediately became one of the great Memphis icons, in clear contrast with functionalism.

The Super lamp - designed by Martine Bedin in 1981 - can be dragged along like a dog on a leash (with an arched back resembling a stegosaurus), embodying the playful spirit of Memphis.

A bookcase in wood faced with decorative laminate, designed by Ettore Sottsass in 1981, Suvretta has unique shelves, because the angles of all the rows are different.

Designed by Ettore Sottsass in 1984, Mimosa is a low wooden table faced in decorative laminate, where colored blocks intersect in a perpendicular arrangement to form a “giant” colored cubical playt

Casablanca, designed in 1981 by Ettore Sottsass is a hybrid between a wardrobe and a bookcase, made in wood and decorative laminate with an unusual form.

A surprising combination of metal and wood is seen in Hyatt, the iconic low table created by Ettore Sottsass in 1984.

Created in lacquered wood by George J.

The absolute Memphis icon, Carlton – designed by Ettore Sottsass in 1981 – fully represents the programmatic intentions of the group: the desire to break the rules of good design with an irreverent

With a yellow dominant and contrasting colors, the Cavalieri lamp designed in 1981 by Ettore Sottsass stands out for its emphatic image based on the stacking of simple geometric forms. 

Roma, with its massive, solid and squared form, created by Marco Zanini in 1986, is an armchair produced in reinforced fiberglass and polyester with an iridescent finish, available in green or blac

A tame sea monster, or a set of fishing rods that intersect with colorful geometric forms, Oceanic has undoubtedly been created to light unconventional interiors.

Bay, designed by Ettore Sottsass in 1983, concretely sums up the Memphis philosophy: it is bold, iconic and elegant.

Nathalie Du Pasquier focuses on contrasting colors for Carrot, a cylindrical handpainted blue ceramic vase with two bands relying on decorative decals, sublimated in the kiln.

The First chair, composed of a few parts, has been conceived in 1983 by Michele De Lucchi to be easily assembled and replicated: produced in a small series, it reinterprets the perfect combination